Flight of the Conchords at Circus, Stockholm, 24th May 2010

Photo by Jesper Frisk grabbed off Rockfoto.nu

The first time I heard Flight of the Conchords was a few years back while driving up to Newcastle. It was a recoding of their BBC radio series. As I remember it, it was about the band trying to make it in London.

Since then they have moved on quite a bit. Regarding success. TV series, world tours and feature in movies. The concept of the show, humour, characters and topics have remained rather similar.

I went with Henrik Engdahl. We probably had the best seats at the venue. Row 7 in the middle. Unfortunately we had a girl sitting right behind us who obviously had a big crush on the guys on stage, and was constantly trying to catch their attention by laughing hysterically even when they weren’t making jokes. Rather annoying. But what can one do? You can’t ask someone to laugh less on a comedy show… not matter how warranted it is.

The warm-up act was Arj Barker and he went down well. He’s coming back to Stockholm later this year to do a performance at Söder Teatern. If I’m in town, I’m going.

The Flight of the Conchords were good. At times they leave you wondering how much of the performance is a routine and how much of it is just them sitting on stage improvising. Are they a band with funny talk between songs or are they a comedy act doing songs? Don’t think there is (or need of) an answer to that, but it makes you wonder.

Over the course of the evening they have a few less funny passages of rambling, but, whenever they had a low, they picked it up and made the low a thing of the past.

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Dave Matthews Band at Fryshuset, Stockholm, 15th March 2010

When I sat down to write this post I was happy and full of joy. Then I started to look around the web for a photograph of the event in question and stumbled upon a few reviews… Now I’m angry. Not sad-angry. I’m pissed-off-rant-angry.

All the reviews goes something like this:
Lorem ipsum dolor sit amet massive in the US, consectetur adipiscing elit. Grate ful Deads Curabitur in nulla vitae arcu bibendum imperdiet nec eget ante. In hac habitasse platea jam band dictumst. Fusce faucibus libero jazz a tellus consequat pulvinar. Proin vestibulum urna at est consequat fermentum. Curabitur extremely skilled musicians accumsan, metus a placerat varius fermentum quis, but it gets boring nulla est porttitor purus, ac cursus diam sem quis dolor urna at est. Vestibulum urna at est consequat but I get a feeling it’s for people who cares more about the quality of the TV than was actually on it. Lorem fucking dolor set.

See, I had a period in my life when I just hated people who wrote music reviews. I don’t know if it was due to the fact that I were on the receiving end a few times, or that I, in general, have a hard time respecting critics with low qualifications.

When it comes to music writers, in many instances, there’s a fine balance between being a journalist and a music enthusiast.

I’m not saying that you have to be a musician to write about music. But if you aren’t, you need to have the journalistic skill to articulate what you don’t like in a manner that doesn’t shift you’re not-so-good-music-knowledge into a bias I-don’t-like-this-so-they-are-shit.

How do you rate a concert if what you hear isn’t something you like, and you’re not capable of zooming out of the personal zone or skilled enough to judging the performance from a strictly musical angle?

When is a review a statement saying “this is not my cup of tea” and when is it a professional documentation of the quality of a performance?

I thought I had put all of this behind me. That I, past 30, could live in harmony even in a society where shit heads express their ignorance and get paid to do it.

There are just so many parts of these reviews that just amplify how the world would have been a better place if they didn’t attend the concert, or, at least, decided not to write about it.

An example extract from these reviews would be Dan Backman, who writes for SVD.se and Po Tidholm, who writes for DN.se. Both of these fellows decided to share with the world their qualified drum and rhythm qualifications by slagging of the drummer Carter Beauford.

Mr Backman claims that Mr Beauford never ever finds a groove “worth of it’s name”. Mr Tidholm writes something along the lines of; no matter what mood or atmosphere of the song Mr Beauford preoccupied himself with some sorts of non-stop sweeping masturbation on his 37 symbols and 63 drums and toms. Now that’s quality.

Mr Tidholm also ends his review by saying that people who like Dave Matthews Band are the sort who “care more about the quality of the TV than what’s on it”. Ooo, nice one. I’d almost like to turn that metaphor 180 degrees — sorry for liking music. An extra nice touch with his last statement is the fact that most people reading this review will undoubtedly be people who like Dave Matthews Band. Yeah, there are lessons to be learned here — this is how you build a fan base among readers.

Besides Dan Backman and Po Tidholm, also Anders Dahlbom, who writes for Expressen and Håkan Steen, who writes for Aftonbladet decided to chip in. They both had an opinions on the Bob Dylan cover “All along the watchtower”. Makes me assume they aren’t actually familiar with any of the Dave Matthews Bands material.

I’m convinced, that the 3200 audience attending this concert, not because they had to, but because they wanted to, can’t disagree more with these reviews/opinions. That the fact that Dave Matthews Band are a renown live performer and one of the biggest live acts in the US as well as a holding a high position on the RIAA top selling artists is not just a fluke, but a result of skills.

So… my review of this concert ended up being a long slag-off of other reviews… classy. Oh well. I’m sorry for the angry mood. But, I had to get this of my chest. I will leave my review part to the 140 character summary I posted in on twitter

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

Oh, yeah, and I ended up steeling the photo from www.rockfoto.net.

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Everything I Say by Vic Chesnutt

Below is a YouTube video of Vic Chesnutt preforming the song Everything I Say from the album North Star Deserter. It’s nothing short of remarkable. It kept me clued to the screen. Made me laugh. Made me sad. Gave me goosebumps. A genius at work.

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Vic Chesnutt

Singer/songwriter Vic Chesnutt died on the 25th of December 2009 after slipping into a coma brought on by a suicide attempt by taking an overdose of muscle relaxants on Wednesday December 23rd. He was 45 years-old.

My first encounter with Vic’s music was in ’96 shortly after having read a review of the album ‘About to Choke’ in a music magazine. Within a year I owned all Vic’s previous albums: Is the Actor Happy?, Drunk, West Of Rome and Little, and have since then always purchased his new releases. About to Choke is one of my favourite albums of all time.

Vic is special. His lyrics takes a different angle and are, as he puts it, “loaded”. Words are really considered. In some way similar to the writing style of the short story writer Amy Hempel, who’s generally termed as a minimalist writer.

When Vic was 18 he was in a car accident that made him partly paralysed. The accident, he has said, focused him as a songwriter, and it became the subject of some of his earliest recordings.

Vic occupies a special place in my music interest, and that place I don’t think will be replaced by any other artist any day soon. I didn’t even know about the place until Vic popped up in ’96.

I’ve had the pleasure to see him live in Stockholm. This was back in ’98 when he was touring with Lambchop and Calexico, promoting the album ‘The Salesman and Bernadette’. That particular concert was in many ways a disappointment, mainly since I was unaware of the release of the new album and was expecting a concert full of ‘About to Choke’ material. But all in all it’s a concert that I will never forget.

He sings about suicide in “Flirted With You All My Life” [local copy] from his recent album “At the Cut.” As described by Vic, “its a song about breaking up with suicide”. Below are the lyrics, followed by some more Vic related links for the curious.

Rest in piece Vic Chesnutt and thanks for all the music.
It’s been a pleasure.


I am a man
I am self-aware
And everywhere I go
You’re always right there with me

I’ve flirted with you all my life
Even kissed you once or twice
And to this day I swear it was nice
But clearly I was not ready

When you touched a friend of mine
I thought I would lose my mind
But I found out with time that
really I was was not ready, no no

Oh, Death
Oh, Death
Oh, Death
Really, I’m not ready

Oh, Death you hector me
Decimate those dear to me
Tease me with your sweet release
You are cruel and you are constant

When my mom was cancer sick
She fought but then succumb to it
But you made her beg for it
Lord Jesus, please I’m ready.

Oh, Death
Oh, Death
Oh, Death
Really, I’m not ready


http://kristinhersh.cashmusic.org/vic/

This page is a tribute to Vic Chesnutt – here to accept donations on behalf of his family to defray the expenses associated with his recent hospitalizations and death.

http://www.youtube.com/results?search_query=vic+chesnutt

The search results on YouTube for Vic Chesnutt

http://www.google.com/search?q=vic+chesnutt

Search results on Google for Vic Chesnutt

http://www.last.fm/music/Vic+Chesnutt

Vic Chesnutt’s Last.fm page

http://www.nytimes.com/2009/12/26/arts/music/26chesnutt.html

A New York Times article on Vic Chesnutt

http://vicchesnutt.com/

Vic Chesnutt’s official website

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Monsters of Folk at Filadelfiakyrkan, Stockholm, 19th November 2009

monsters-of-folk
A ‘supergroup’ is a term describing a music group where members already have made their fame and fortune in other constellations or ventures.

Monsters of Folk is a super consisting of Jim James from My Morning Jacket, Conor Oberst and Mike Mogis from Bright Eyes and M. Ward.

So the concert was a combination of Monsters of Folk, My Morning Jacket, Bright Eyes and M Ward songs. I didn’t count, but the concert lasted for 3 hours, so somewhere around 30 songs where played.

Overall, the concert at Filadelfiakyrkan was a failure. Long queues to get in, delayed, uncomfortable seats, bad sound, at times questionable performances, often they all stood facing the drums instead of the audience and the concert was too long.

But. The concert had a few really really magic moments.
So I’m willing to forgive.

Jim James definitely stood out from the rest. His performance of “Look at You”, “Bermuda Highway”, and “Golden” was superb and those alone almost made the concert worth the trouble. Other hightlights was M Ward magic guitar shredding solo, Bright Eye’s “Soul Singer In A Session Band” and the Monsters of Folk songs “Whole Lotta Losin”, “Dear God”, “Say Yes” and “The right place”.

I tweeted a tweet during the concert (probably after Mr James shone):

At a Monsters of Folk concert. Truly inspiring. Makes me want to take a sabatical and just play guitar…

It’s not an idea that established during the concert. But the seed definitely get a healthy potion of water and sunlight.

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The north.

I just stumbled over an acoustic preformance of the song 1901 by the French band Phoenix. http://hypem.com/track/919796/Phoenix+-+1901+acoustic+. I’ve always found it interesting hearing acoustic interpretations of a song. This was no exception.

I then took the query to YouTube to see if I could find a live performance of the acoustic version. I didn’t find it, but I found this:

Which is also good, but… maybe a bit stale? Kind of lacks any notion of energy. Or joy for that matter.

Then under the title ‘Related Videos’ I found this:

What a change! I was so pleasantly surprised to see a drummer in a robotic manner spending most of his performance trying to beat a hole in the snare drum! Love it. What a legend.

I did a bit of research, and it turns out that my new found hero is called Thomas Hedlund and is from the north of Sweden. Umeå to be more precise. He also plays in The Perishers, Cult Of Luna, Deportees and Khoma. If i’m not mistaken, an acquaintance whom I played with while living in Skellefteå, Peter Melender, is also the drummer of Khoma.

It’s a small world. And it seems like the north part of it rocks it harder than the south ;)

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Lester William Polfuss

les-paul-2

Lester William Polfuss, known as Les Paul, passed away today, aged 94, from complications of severe pneumonia at White Plains Hospital in White Plains, New York.

Mr Paul was a jazz musician and inventor, who together with Gibson Guitar Corporation, are the father of the iconic solid body electric guitar caring his name — Les Paul.

Rest in peace, and may your legacy live on forever.

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Nine Inch Nails releases a iPhone application.

Below are selected quotes from the article: Nine Inch Nails iPhone App Extends Reznor’s Innovative Run

Nine Inch Nails and Radiohead are so in the forefront it’s almost scary. Not just when it comes to music distribution, but digital communication — and they are music artist. I wish that people in the digital industry were as innovative and were less scared of making mistakes. The internet is a playground. So play in it.


Reznor has pioneered a new, fan-centered business model that radically breaks with the practices of the struggling music industry

“Anyone who’s an executive at a record label does not understand what the internet is, how it works, how people use it, how fans and consumers interact — no idea,” he declares. “I’m surprised they know how to use e-mail. They have built a business around selling plastic discs, and nobody wants plastic discs any more.”

“They’re in such a state of denial it’s impossible for them to understand what’s happening,” Reznor says. “As an artist, you are now the marketer.”

“I’ve said it before and I’ll say it again: I don’t think music should be free,” Reznor says. “But the climate is such that it’s impossible for me to change that, because the record labels have established a sense of mistrust. So everything we’ve tried to do has been from the point of view of, ‘What would I want if I were a fan? How would I want to be treated?’ Now let’s work back from that. Let’s find a way for that to make sense and monetize it.”

“I doubt I’ll ever pay someone to do a remix again,” Reznor says, “because there’s some amazing stuff just coming out of bedrooms.”

So for the higher-quality offerings, Reznor turned to BitTorrent — “the domain of pirates,” he acknowledges, “but it’s also a great technology that is free.” Pirates are no longer the enemy anyway: “Our battle is against download costs.”

“One of the biggest wake-up calls of my career was when I saw a record contract,” he says. “I said, ‘Wait — you sell it for $18.98 and I make 80 cents? And I have to pay you back the money you lent me to make it and then you own it? Who the fuck made that rule? Oh! The record labels made it because artists are dumb and they’ll sign anything’ — like I did.”

If the labels had tried to connect with fans online instead of dragging them into court, he figures, the music industry wouldn’t be collapsing today. But no matter; he’s moved on.

“My quest in life now is to surround myself with smart, innovative people,” he says, “instead of the gangster types who have exploited artists over the years.”


The whole article: Nine Inch Nails iPhone App Extends Reznor’s Innovative Run

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Classic

spotify-icon Since my reading audience is extremely web savvy, I assume most of you have heard about the music service called Spotify. In short, Spotify is a bit like iTunes Music Store but with the difference that you don’t have to buy the music. You can listen to it for free (with some advertising) or pay a fee and be blest from brainwashing. So, a bit like a radio but with more controls.

My… hesitation, is the 18 available genres when browsing the ‘Radio’ section: Alternative, Blues, Country, Disco, Funk, Hard Rock, Heavy Metal, Hip-Hip, House, Jazz, New Wave, R&B, Pop, Punk, Reggae, Rock, Soul, Techno.

Is classic music not a worthy option in the 21st century?

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Memories

joey-cape-tony-sly-acoustic-large

For the hard-core punk rock fans this is probably nothing new. But for some of the people of my generation, who have stopped keeping up to date with the latest releases from our teenage punk favourites — this is a true gem.

Joey Cape and Tony Sly, the lead singers from Lagwagon and No Use For A Name, released an album back in 2004 called Acoustic. I reckon the title of the album explains the nature of it.

Even though I already appreciated the album on first listen, I just kept wanting to hear the original version of the songs. When I reached the 8th song, Violins, the urge just grew too much and I switched to the original. And my oh my. I’d forgot how damn good they are.

Even if these songs are good, they are still a mere shadow of their true self.

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